Sinfonia Concertante K.364, K.297b : Bohm / Berlin Philharmonic - Mozart (1756-1791) Page Viewers
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's coming-of-age journey to Paris in 1777-1779 -- albeit with his mother as chaperone -- was not only circuitous but leisurely. When mother and son finally did reach Paris on March 23, 1778, he found the city that had hailed him as a prodigy 15 years earlier was now unhospitable -- indeed, inimical. He was able, however, to contact a quartet of visiting wind players from Mannheim, and on May 1 wrote to his "très cher Pére" that they asked him for a new piece to be performed at the Concert Spirituel in the Loge Olympique, Paris' most distinguished orchestral series. He claimed to have finished a "sinfonie [sic] concertante in the current popular style" for solo flute, oboe, bassoon, and horn, with an orchestra of two oboes, two horns, and strings. But the work, supposedly given to the Loge's impresario for copying, was set aside by the latter and subsequently lost. considered this to be another Parisian plot against him and in a later letter to Salzburg assured Papa Leopold that he could recreate the music from memory. But no manuscript has survived. Nevertheless, this composition turned up nearly a century later, in a hand not the composer's, with solo clarinet rather than flute. It became "K. Anhang 9/K. 297b" in the second edition (1905) of Ludwig Ritter von Köchel's storied Verzeichnis, originally published in 1862, and "K. Anhang C14.01" in the third version, edited by Alfred Einstein in 1937.
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Concert from the Salzburg Festival. Isabella Unterer, oboe, Christoph Zimper, clarinet, Zoltán Mácsai, horn, Riccardo Terzo, bassoon, and the Salzburg Mozarteum Orchestra conducted by Ivor Bolton play:MOZART:Symphony in C major, K. 200.Sinfonia concertante for oboe, clarinet, horn, bassoon and orchestra in E flat major, K. 297b.Symphony (Overture) G major, K. 318.Symphony in C major, K. 425, 'Linz'.Live.
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